{"id":370,"date":"2019-09-10T11:31:02","date_gmt":"2019-09-10T18:31:02","guid":{"rendered":"http:\/\/hub.wsu.edu\/campbell\/?page_id=370"},"modified":"2026-03-09T15:16:01","modified_gmt":"2026-03-09T22:16:01","slug":"512-syllabus","status":"publish","type":"page","link":"https:\/\/hub.wsu.edu\/campbell\/512-syllabus\/","title":{"rendered":"Main Page"},"content":{"rendered":"<br \/>\n<section id=\"builder-section-1568140141114\" class=\"row single gutter pad-top\">\n<div style=\"\" class=\"column one \">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-872\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-396x264.jpeg\" alt=\"\" width=\"396\" height=\"264\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-396x264.jpeg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-792x528.jpeg 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-768x512.jpeg 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-990x660.jpeg 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-1188x792.jpeg 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM.jpeg 1440w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><\/p>\n<h4><strong>Dr. Donna Campbell<\/strong><\/h4>\n<p>Professor of English, Washington State University &#8211; Pullman<br \/>\nEmail: campbelld@wsu.edu. Contact me to set up a Zoom meeting.<br \/>\nLewis and Stella Buchanan Distinguished Professor of English, 2019-21<br \/>\nCollege of Arts and Sciences Distinguished Faculty Award, 2023<br \/>\nCenter for Arts and Humanities Faculty Fellow 2022-2023<\/p>\n<p>ORCID: <a href=\"https:\/\/orcid.org\/0000-0003-3432-9093\">https:\/\/orcid.org\/0000-0003-3432-9093<\/a><\/p>\n<h3>Spring 2026<\/h3>\n<h5>Office hours: 12-1 Tuesdays and Thursdays and by appointment in Avery 357 and Zoom.<\/h5>\n<h5>In keeping with <a href=\"https:\/\/news.wsu.edu\/news\/2022\/02\/01\/no-standing-meetings-on-fridays\/\">WSU&#8217;s policy on Friday meetings, except by student request there are no office hours on that day.<\/a><\/h5>\n<p>Courses for Fall 2026:<\/p>\n<p>English 210 [HUM], Readings in American Literature: Immigrants, Outcasts, and Exiles. T &#8211; Th 12:05-1:20, Avery 104.<\/p>\n<p>English 210, Readings in American Literature: Immigrants, Outcasts, and Exiles, is an introduction to short fiction, poetry, and nonfiction narratives from the nineteenth- through the twenty-first centuries. It has been approved as fulfilling the American literature requirement for English Education majors.<\/p>\n<p>We won\u2019t read work from all periods and movements in American literature, but you\u2019ll learn about important movements and trends through our course theme \u201cImmigrants, Outcasts, and Exiles,\u201d since many works of American literature address the issues of inclusion and exclusion from a dominant culture.<\/p>\n<p>Our class is a space for distraction-free discussions and writing about literature.\u00a0 All written work will be completed in class using pen and paper.<\/p>\n<p>English 494 [CAPS]: Jazz Age\/Harlem Renaissance. Global Campus.<\/p>\n<p>Lucasfilm biography of Edith Wharton for which I was interviewed (2007):<\/p>\n<p><div class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text\/html' width='640' height='390' src='https:\/\/www.youtube.com\/embed\/j3fE9I3Vj7Y?version=3&#038;rel=1&#038;fs=1&#038;autohide=2&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0' allowfullscreen='true'><\/iframe><\/div>\n<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-638 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/freemanbook-396x594.jpg\" alt=\"\" width=\"357\" height=\"536\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/freemanbook-396x594.jpg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/freemanbook.jpg 500w\" sizes=\"(max-width: 357px) 100vw, 357px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-606 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-396x608.png\" alt=\"\" width=\"364\" height=\"559\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-396x608.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-792x1216.png 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-768x1179.png 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-1001x1536.png 1001w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM-990x1520.png 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/09\/Screen-Shot-2022-09-08-at-3.37.08-PM.png 1170w\" sizes=\"(max-width: 364px) 100vw, 364px\" \/><\/p>\n<p><a href=\"https:\/\/edinburghuniversitypress.com\/book-new-perspectives-on-mary-e-wilkins-freeman.html\"><strong>&#8220;The Reign of the Dolls: Violence and the Nonhuman in Mary E. Wilkins Freeman.&#8221;<\/strong><\/a><\/p>\n<p><strong><em>\u00a0New Perspectives on Mary E. Wilkins Freeman: Reading with and against the Grain, <\/em>ed. Stephanie Palmer, Myrto Drizou and Ce\u0301cile Roudeau (Edinburgh University Press, 2024).<\/strong><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-616 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/12\/pdfimage-396x594.jpeg\" alt=\"Falling Stories: Cinematic Naturalism and Disability in Frank Norris's and Stephen Crane's City Sketches\" width=\"396\" height=\"594\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/12\/pdfimage-396x594.jpeg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/12\/pdfimage.jpeg 500w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><\/p>\n<p><strong>&#8220;Falling Stories: Cinematic Naturalism and Disability in Frank Norris&#8217;s and Stephen Crane&#8217;s City Sketches&#8221;<\/strong><\/p>\n<ul>\n<li class=\"journal\"><a href=\"https:\/\/muse.jhu.edu\/journal\/379\">American Literary Realism<\/a><\/li>\n<li class=\"publisher\"><a href=\"https:\/\/muse.jhu.edu\/search?action=browse&amp;limit=publisher_id:34\">University of Illinois Press<\/a><\/li>\n<li class=\"designation\"><a href=\"https:\/\/muse.jhu.edu\/issue\/49421\">Volume 55, Number 2, Winter 2023<\/a><\/li>\n<li class=\"pg\">pp. 95-118<\/li>\n<li><a href=\"https:\/\/muse.jhu.edu\/article\/872759\">https:\/\/muse.jhu.edu\/article\/872759<\/a><\/li>\n<\/ul>\n<p>Excerpt:\u00a0What the falling stories record is the crowd\u2019s response to a private act that disorders public space by blurring the boundaries between public and private. The falling story occasioned by sudden disability upsets the implicit social contract that in the nineteenth century defined those with disabilities as possessing not only fewer implicit rights to be in the public sphere but also fewer explicit legal rights to be visible there. By returning the gaze, the person who has fallen challenges the strict demarcation between public and private, visible and hidden, and physical health and disability.<\/p>\n<p>Falling stories signify larger naturalistic issues of human agency and the powerful forces aligned against the individual, yet the visual exchange between spectators and the fallen subject more specifically raises the issue of disability in naturalism, a literary form that traditionally valorizes strength. <a href=\"https:\/\/muse.jhu.edu\/article\/872759\">https:\/\/muse.jhu.edu\/article\/872759<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-611 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-396x565.png\" alt=\"Bloomsbury Handbook to Edith Wharton\" width=\"368\" height=\"525\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-396x565.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-792x1130.png 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-768x1096.png 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-1076x1536.png 1076w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-990x1413.png 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM-1188x1695.png 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2022\/11\/Screen-Shot-2022-11-09-at-8.47.50-AM.png 1414w\" sizes=\"(max-width: 368px) 100vw, 368px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-624 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-396x582.png\" alt=\"\" width=\"396\" height=\"582\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-396x582.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-792x1163.png 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-768x1128.png 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-1046x1536.png 1046w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-1395x2048.png 1395w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-990x1454.png 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM-1188x1745.png 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/03\/Screen-Shot-2023-03-15-at-10.48.30-AM.png 1524w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><strong>\u201cEdith Wharton and Film.\u201d<\/strong><\/p>\n<p><strong>(With Carol J. Singley and Frederick Wegener.) \u201cThe Complete Works of Edith Wharton: Preparing the First Authoritative Edition.\u201d<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.bloomsbury.com\/us\/bloomsbury-handbook-to-edith-wharton-9781350182943\/\"><em>The Bloomsbury Handbook to Edith Wharton,<\/em> Edited by Emily J. Orlando (Bloomsbury Press, 2022).\u00a0<\/a><\/strong><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-769 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-396x528.jpg\" alt=\"Val Lewton's Naturalism\" width=\"396\" height=\"528\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-396x528.jpg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-792x1056.jpg 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-768x1024.jpg 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-1152x1536.jpg 1152w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-1536x2048.jpg 1536w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-990x1320.jpg 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-1188x1584.jpg 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2025\/06\/2025-06-22-22.17.20-1-scaled.jpg 1920w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><strong>&#8220;Val Lewton&#8217;s Naturalism and Historical Trauma:\u00a0<em>No Bed of Her Own, Cat People, The Seventh Victim,\u00a0<\/em>and\u00a0<em>I Walked with a Zombie.&#8221; Studies in Amerian Naturalism,\u00a0 <\/em>vol. 17, no. 2 (Winter 2022): 103-125. Special issue on Naturalism and the Visual.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-515 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-396x435.png\" alt=\"\" width=\"396\" height=\"435\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-396x435.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-792x869.png 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-768x843.png 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-990x1086.png 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM-1188x1304.png 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/12\/Screen-Shot-2020-12-16-at-8.29.06-AM.png 1376w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><\/p>\n<p class=\"heading\"><strong>Paul Laurence Dunbar: \u201cWhen Malindy Sings,\u201d\u00a0<em>The Sport of the Gods<\/em>, and Black Lives Matter<\/strong><\/p>\n<div class=\"author-font\">Donna Campbell<\/div>\n<div class=\"turn-away-content__summary\">\n<div>American Literary Realism<\/div>\n<div><a href=\"https:\/\/www.jstor.org\/stable\/10.5406\/amerlitereal.53.issue-2\">Vol. 53, No. 2 (Winter 2021)<\/a>, pp. 106-111 (6 pages)<\/div>\n<div>Published By: University of Illinois Press<\/div>\n<\/div>\n<div class=\"turn-away-content__summary\">\n<p><a class=\"doi\" title=\"This link opens in a new window\" href=\"https:\/\/doi.org\/10.5406\/amerlitereal.53.2.0106\" target=\"_blank\" rel=\"noopener noreferrer\" data-qa=\"crossref-doi\">https:\/\/doi.org\/10.5406\/amerlitereal.53.2.0106<\/a><\/p>\n<div class=\"stable_url\" data-qa=\"stable-url\"><a href=\"https:\/\/www.jstor.org\/stable\/10.5406\/amerlitereal.53.2.0106\">https:\/\/www.jstor.org\/stable\/10.5406\/amerlitereal.53.2.0106<\/a><\/div>\n<\/div>\n<\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div data-qa=\"stable-url\"><\/div>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-478 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/25_landormy_3-396x527.jpg\" alt=\"\" width=\"262\" height=\"349\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/25_landormy_3-396x527.jpg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/25_landormy_3.jpg 500w\" sizes=\"(max-width: 262px) 100vw, 262px\" \/><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-477 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-396x291.png\" alt=\"\" width=\"440\" height=\"323\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-396x291.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-792x581.png 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-768x564.png 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-990x726.png 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM-1188x872.png 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/06\/Screen-Shot-2020-04-01-at-11.11.03-AM.png 1322w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/p>\n<h4><\/h4>\n<p><strong><a href=\"https:\/\/muse.jhu.edu\/article\/755024\">The Frenchwoman\u00a0<i>D\u00e9pays\u00e9e<\/i>: Edith Wharton and Gabrielle Landormy<\/a><\/strong><\/p>\n<p><a href=\"https:\/\/muse.jhu.edu\/search?action=search&amp;query=author:Donna%20Campbell\">Donna Campbell<\/a><\/p>\n<p><a href=\"https:\/\/muse.jhu.edu\/journal\/757\">Edith Wharton Review<\/a><\/p>\n<p><a href=\"https:\/\/muse.jhu.edu\/search?action=browse&amp;limit=publisher_id:2\">Penn State University Press<\/a><\/p>\n<p><a href=\"https:\/\/muse.jhu.edu\/issue\/42288\">Volume 35, Number 2, 2019<\/a>,\u00a0<span class=\"pgs\">pp. 136-148<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<div>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-465 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/01\/Screen-Shot-2020-01-06-at-9.18.00-AM-396x445.png\" alt=\"\" width=\"322\" height=\"361\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/01\/Screen-Shot-2020-01-06-at-9.18.00-AM-396x445.png 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2020\/01\/Screen-Shot-2020-01-06-at-9.18.00-AM.png 546w\" sizes=\"(max-width: 322px) 100vw, 322px\" \/><\/p>\n<p><strong>\u201cSummers in Arcady: The Deep Time of Evolutionary Romance in James Lane Allen, Hamlin Garland, and Edith Wharton.\u201d \u00a0<em>American Literary Realism <\/em>52.2 (Winter 2020): 95-113. <a href=\"https:\/\/muse.jhu.edu\/article\/745267\">https:\/\/muse.jhu.edu\/article\/745267<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p><strong><em>Bitter Tastes: Literary Naturalism and Early Cinema in American Women&#8217;s Writing. <\/em>University of Georgia Press, 2016. Paperback, 2018.<\/strong><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-9 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2018\/07\/bittertastes.jpg\" alt=\"Bitter Tastes: Literary Naturalism and Early Cinema in American Women's Writing. U Georgia P, 2016. Named a CHOICE Outstanding Academic Book for 2017.\" width=\"312\" height=\"470\" \/><\/p>\n<p>CHOICE Outstanding Academic Book for 2017 * <a href=\"https:\/\/ssawwnew.files.wordpress.com\/2018\/10\/conference-program-10-28.pdf\">Honorable Mention, SSAWW Book Award, 2018<\/a><\/p>\n<p class=\"feature\"><strong><a href=\"https:\/\/research.libraries.wsu.edu\/xmlui\/handle\/2376\/5613\">WSU Research Exchange (articles)<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/hcommons.org\/members\/campbedm\/\">MLA Humanities Commons (articles)<\/a><\/strong><\/p>\n<div class=\"column two\"><a href=\"https:\/\/hub.wsu.edu\/campbell\/wp-admin\/\">https:\/\/hub.wsu.edu\/campbell\/wp-admin\/<\/a><\/div>\n<\/div>\n<div><\/div>\n<div><a href=\"https:\/\/cas.wsu.edu\/recognizing-excellence\/2023-recipients\/\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-672 alignleft\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/05\/CAS-Awards-Posters-2023-Campbell-396x630.jpg\" alt=\"\" width=\"239\" height=\"380\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/05\/CAS-Awards-Posters-2023-Campbell-396x630.jpg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2023\/05\/CAS-Awards-Posters-2023-Campbell.jpg 400w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/a><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/p><\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-872\" src=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-396x264.jpeg\" alt=\"\" width=\"396\" height=\"264\" srcset=\"https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-396x264.jpeg 396w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-792x528.jpeg 792w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-768x512.jpeg 768w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-990x660.jpeg 990w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM-1188x792.jpeg 1188w, https:\/\/wpcdn.web.wsu.edu\/wp-hub\/uploads\/sites\/2196\/2026\/03\/Photo-on-3-9-26-at-3.08\u202fPM.jpeg 1440w\" sizes=\"(max-width: 396px) 100vw, 396px\" \/><\/p>\n<h4><strong>Dr. Donna Campbell<\/strong><\/h4>\n<p>Professor of English, Washington State University &#8211; Pullman<br \/> Email: campbelld@wsu.edu. Contact me to set up a Zoom meeting.<br \/> Lewis and Stella Buchanan Distinguished Professor of English, 2019-21<br \/> College of Arts and Sciences Distinguished Faculty Award, 2023<br \/> Center for Arts and Humanities Faculty Fellow 2022-2023<\/p>\n<p>ORCID: <a href=\"https:\/\/orcid.org\/0000-0003-3432-9093\">https:\/\/orcid.org\/0000-0003-3432-9093<\/a><\/p>\n<h3>Spring 2026<\/h3>\n<h5>Office hours: 12-1 Tuesdays and Thursdays and by appointment in Avery 357 and Zoom.<\/h5>\n<h5>In keeping with <a href=\"https:\/\/news.wsu.edu\/news\/2022\/02\/01\/no-standing-meetings-on-fridays\/\">WSU&#8217;s policy on Friday &#8230; <\/a><a href=\"https:\/\/hub.wsu.edu\/campbell\/512-syllabus\/\" class=\"more-link\"><span class=\"more-default\">&raquo; More &#8230;<\/span><\/a><\/h5>\n","protected":false},"author":6432,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-builder.php","meta":[],"wsuwp_university_location":[],"wsuwp_university_org":[],"_links":{"self":[{"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/pages\/370"}],"collection":[{"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/users\/6432"}],"replies":[{"embeddable":true,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/comments?post=370"}],"version-history":[{"count":18,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/pages\/370\/revisions"}],"predecessor-version":[{"id":879,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/pages\/370\/revisions\/879"}],"wp:attachment":[{"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/media?parent=370"}],"wp:term":[{"taxonomy":"wsuwp_university_location","embeddable":true,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/wsuwp_university_location?post=370"},{"taxonomy":"wsuwp_university_org","embeddable":true,"href":"https:\/\/hub.wsu.edu\/campbell\/wp-json\/wp\/v2\/wsuwp_university_org?post=370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}